richila wrote:Mary has a nice symmetry to her face. I really like picture 7-she has a lovely Madonna (classical painting Madonna) quality in that picture. I have carved wooden dolls, getting symmetry is hard. Nice work.
Thank you Richila! It's funny that you say that, because when I first started I got inspiration from the statues of Mary I found in a big Cathedral in San Francisco, across the street from Mosconi Center. I have never done any sculpture so went in to see all of their statues (and they have LOTS of them). I wanted her to have that kind of serene look about her.
EAB wrote:Congratulations, Wendy! You have your first (of many, I'm sure) original head. Very good work.
How was it sculpting with air drying clay? Did it dry so fast it was frustrating?
I didn't really have any problem with the air dry clay drying to fast- you can always wet it and add more, etc. What I did have a problem with was fine details and sanding at a certain point. The air-dry clay is made of tiny fibers, and it seems like whenever I would get into a fine, delicate spot, I would hit a clump of fibers and it would screw things up. Then I would get a chunk out, refill it with more clay, let it dry, go to sand it, and the clump would come out again.
But I have seen photographs of exquisite, beautifully-detailed work that was quite small, so I must have been doing something wrong. Of course the clay comes with literally no directions or suggestions, so I have no idea how to solve the problem. I know that a lot of people use wax for their prototypes.